”’Memoirs of Sanson”’ (French: ”Mémoires de Sanson”), also published under the title ”Mémoires pour servir à l’histoire de la Révolution française” (“Memoirs for the History of the French Revolution”), are a series of memoirs associated with the Sanson family, a dynasty of Parisian executioners who held office under the Ancien Régime and during the French Revolution.

The first volumes were published in 1829–1830 and are traditionally associated with the literary circle of [[Honoré de Balzac]]. Combining family traditions, historical events and literary reconstruction, the works were questioned for their authenticity from the time of their publication. Despite these doubts, they attracted considerable public attention and influenced Balzac’s later novella ”Un épisode sous la Terreur” (“An Episode Under the Terror”).

In 1862–1863, [[Henri-Clément Sanson]], the last representative of the executioner dynasty, published a new six-volume series entitled ”Sept générations d’exécuteurs, 1688–1847” (“Seven Generations of Executioners”). Drawing on earlier publications, family traditions and documents attributed to the Sanson family, this edition became the best-known version of the memoirs and served as the basis for many later editions and translations.

Modern historians generally regard the ”Memoirs of Sanson” neither as fully authentic memoirs nor as simple literary forgeries. Although many passages cannot be independently verified, scholars have argued that the works may preserve elements derived from family traditions, lost documents and contemporary perceptions of the executioner’s office in eighteenth- and nineteenth-century France.

== Publication history ==

The history of the ”Memoirs of Sanson” spans several generations of the Sanson family and is closely connected with the careers of its most prominent members.

• ”'[[Charles-Henri Sanson]]”’ (1739–1806) served as chief executioner of Paris during the French Revolution. Many of the memoirs and observations incorporated into later publications were attributed to him.
• ”’Henri Sanson”’ (1767–1840), son of Charles-Henri Sanson, criticised the first published memoirs as excessively romanticised, but later allowed portions of the family’s papers and recollections to be reused.
• ”'[[Henri-Clément Sanson]]”’ (1799–1889), grandson of Charles-Henri and the last Parisian executioner of the family, published a new series of memoirs in 1862–1863 with the stated aim of preserving the history of his family and its role in French criminal justice.